Calling Jonathan.....

The picture says it all. Jonathan (class of '07 and the first 'unofficial' art history major): this is so "you!!"

Read the article here.

A'shop of horrors...

Students in modern art will be familiar with the first example of appropriation. . . 
a group that goes by the name "A'shop": 

They created the work at the right (thanks to Lynsey for tipping us off to this.) For 16 days straight, from dawn to dusk, this artist-run collective, A'shop, worked on a mural of a female figure that was Inspired by Czech Art Nouveau painter Alphonse Mucha. They used 500 cans of spray paint in 50 colors. Here ere are some progress shots that were taken over the 16 day period.

The artists were appropriating an earlier artist with a newer medium. And, they were also appropriating the wall, since it had graffitti on it already. 

To appreciate this, watch the video here. Artists names are: Fluke - Guillaume Lapointe - Bruno Rathbone - Antonin Lambert - Dodo. More info on them here.

Appropriation, Internet Meme, and Art History

Lt. John Pike, the U.C. Davis campus police officer who pepper-sprayed passive student protesters, is popping up in some of the world’s most famous paintings as part of an Internet meme intended to shame him for his actions. Read and see images accompanying the story of the pepper spray incident (a bit graphic) and view the slideshow of images.

Put simply, pictures best explain this meme. Here's an appetizer:

And, here's a link to the source appropriation.

copy that?

What is excellence in the arts?  A provocative question, and one that Franklin Einspruch addressed in a keynote speech he delivered October 21 at Augusta State University.  Not only is his essay, entitled "High and Low: What is Excellence in the Arts?", an interesting read (it was included in the College Art Association's online newsletter last week), it contains a passage that speaks to previous blog posts regarding copying another artist's work:

"And because excellence is a dynamic, it’s impossible to know how many traits or which traits are the right ones to copy or not copy. The problem is nearly paradoxical. The only way to relive the experience that good art gives you is by making things that are different from that art, and it’s usually not obvious as to how the new art should be different. At this point, a lot of artists chicken out.

... Figuring out how to make something good and different, when it’s not obvious how to do so, requires courage."

Forger Wolfgang Beltracchi, left, in court, and the alleged forged paintings by Derain (centre) and Leger (right).  Photo courtesy of The Art News Paper,  Issue 229, November 2011
Published online: 03 November 2011 

Ah, copying, a topic which brings me to point out another intriguing article I came across in The Art News Paper regarding art forgeries. Apparently, the German media is treating a family of forgers with kid gloves, including likening their actions to that of Robin Hood, where the ultra rich are taken to give advantage to the poor.

Finally, in addition to wanting GC::VA blog readers to muse as I did about these two seemingly unrelated stories, I would like to guide you back to the same issue of CAA News.  It has a link to an article in the Stranger that asks whether U.S. visual artists should be entitled to royalties.  (The responses are quite thought provoking.)  

So, in trying to put all of my musings about these articles into some sort of summary, I came up with this:  some artists appropriate excellence and some artists (?) fake it, and other artists (in California) get paid when their originals are re-used.  Do you copy?