Tuesday, May 20, 2014

Embracing Challenges

"Momentum," a light and sound show at The Curve, an art space at the Barbican Center in London.
Galleries are creating unconventional  spaces to showcase unusual exhibits.
Credit James Medcraft/Barbican 
What is an "unconventional" space? In the gallery world, unconventional usually means non-rectangular. Take a look at the space at Barbican, London. This area shown above was deemed a concourse (think airport) non-site yet it has become the hub of installations of late. Artists are drawn to the unusual space and take advantage of it. A former challenge is now embraced.

Here's a photo of the lavish interior of the Guggenheim.
I took this photograph last Winter at the Gutai exhibition.


Exterior of the Guggenheim, New York


An unconventional space that might be a bit more familiar comes from our art history survey textbooks...Frank Lloyd Wright's structure for the space that would become known as the Solomon R. Guggenheim Museum on New York's Upper East Side. Think of the Guggenheim as one piece of bread and the Met as the other—the slices of architecture embrace the natural environment of Central Park.

When it opened in 1959, the Guggenheim was deemed an eyesore because it was considered a work of (applied) art that could perhaps detract from the real art on view. Like the Barbican's space, the Guggenheim presented installation challenges — how to hang in a space that lacks 90-degree angles. But now, this New York gem is a coveted space for artists to use. Truly, artists of the modern and contemporary eras have risen to the challenge and embraced such overbearing structures and, as a result, have activated spaces in new ways.

Perhaps in a very short while, London's Barbican will become the kind of cultural icon that Solomon R.'s building has become.

Tuesday, May 13, 2014

Dangerdust...

Thanks to KLev for sharing this link with me. Artists working with chalk on a chalkboard in a rather stealth manner. Since a number of students have commented on the Chanel poster in my office, I thought this image would be of interest. Enjoy! 


Tuesday, May 6, 2014

Majors Party 2014 pix

Thanks to everyone who came over on Thursday evening, May 1. It was a chilly one this year—meaning next year, it should be balmy! That's been our history: hot one year, cool the next.

It was great to see all of the faculty, families, students, and our special guest star alumni (Maddy and Hannah!!!) as well as special guest star students, Jaylin, Joey, and Travis. I didn't do a great job taking photos this year — I was too busy taking care of the grill. So I only have a few. But, hope you enjoy them. 

Good luck studying for finals and Happy Graduation to our seniors!
Time to catch up with old friends
Time to play some games and relax, too

Lots of toppings for the burgers and dogs...where's Kristin's cookies? :)

Thursday, May 1, 2014

Cartoons go Bald for Good!

A project that started in Brazil is now going international: Bald Cartoons!

In an effort to make kids who have cancer feel more comfortable with the unfortunate affects of chemo therapy, a Brazilian campaign was imaged to take beloved children cartoons and make them bald. Cartoons now around the world will be getting a buzz.

These characters will air episodes with their locks buzzed for seemingly no reason. Just like a kid who has cancer. The characters don't have to explain their baldness to others. Everything continues as normal... just as it would for real kids.


Check out the NPR news article here.

According to Roberto Fernandez, executive creative officer at the ad agency Ogilvy Brazil, kids have already felt more comfortable at school and so have their peers.

It is amazing how a little less hair goes a long way!

Tuesday, April 29, 2014

Art Majors Party: This Thursday @ 5 pm!

All GC students who have declared a major in ART are welcome to join their faculty and peers at a year-end picnic on Thursday, May 1 (the last day of classes)! The festivities begin at 5 pm. All art majors—all class years are welcome! First year students: it's not too early to fill out that paperwork to become an "official" art major!
2012: all smiles Dana, Evey, and April

Thursday, April 24, 2014

Edward Hopper's Movie Debut

I'm not quite sure how I stumbled on this but I am so glad that I did. 

'Director Gustav Deutsch brings 13 Hopper paintings to life in his film, Shirley - Visions of Reality, the story of a woman whose thoughts, emotions and contemplations lets us observe an era in American history.'

Intense set design and research was conducted to create each vignette of this film to perfect the exact Edward Hopper scene.

This is a sketch of Hanna Schimet, the set designer, for a particular scene.



The results of painting to film are completely unbelievable. 

The film synopsis:
Shirley is a woman in America in the 1930s, ‘40s, ‘50s, and early ‘60s. A woman who would like to influence the course of history with her professional and socio-political involvement. A woman who does not accept the reality of the Depression years, WWII, the McCarthy era, race conflicts and civil rights campaigns as given but rather as generated and adjustable. A woman whose work as an actress has familiarised her with the staging of reality, the questioning and shaping of it; an actress who doesn’t identify her purpose and future with that of solo success or stardom but who strives to give social potency to theatre as part of a collective. A woman who cannot identify with the traditional role model of a wife yet longs to have a life partner. A woman who does not compromise in moments of professional crisis and is not afraid to take on menial jobs to secure her livelihood. A woman who in a moment of private crisis decides to stick with her partner and puts her own professional interest on the back burner. A woman who is infuriated by political repression yet not driven to despair, and who has nothing but disdain for betrayal.

Shirley, an attractive, charismatic, committed, emancipated woman.

For more information click here.

Monday, April 21, 2014

Um WOW "watch" this

Amazing craft and blend of contemporary technology and traditional craft. I think one of my favorite bits is at 2:13 with the little set of the minute hand…just wonderful.

Ive always had a familiarity and affinity with and for time pieces. I grew up with a number of my days being spent in the clock shop of my grandfather. My office looks a bit like his shop I'll try and dig up some photos. There is just so much to look at and ask questions about. He is a true fix it man. If you ever see the grandmother clock, or coo coo clock in my office they belonged to him. Something about moving parts and how things work has always followed me. I also have always enjoyed precision, something about making something as best you can is fulfilling and somehow essential.

I think back to my first years in art school where there was constant phrase "if you can't make it good make it big, if you can't make it big make it red". It was thrown out as criticism and a joke as well as sometimes advice. I always love when people make things small. That takes courage. All of its flaws and craft are available, it cannot often hide behind scale or anything else for that matter. Anyhow enjoy the video, hopefully it makes you think of how you make things.

Thursday, April 17, 2014

Undergrad Research

As noted earlier, Lynsey and Rebecca were invited to present two papers at Asbury as part of the National Council on Undergraduate Research's "Undergrad Research Week." The GC students made their presentations and took questions from the audience of about 25 students and profs. Some of the questions were challenging—but they helped our students to broaden their discussion and to think about their topics in another way.

Thank you to our hosts, Professor Patrick Adams (whose work you can check out here) and Dr. Linda Stratford, for inviting us to join them. Lynsey and Rebecca presented their work on contemporary art and the "end" of art, as noted in an earlier post here.