Showing posts with label ViewTwo Gallery. Show all posts
Showing posts with label ViewTwo Gallery. Show all posts

Friday, October 8, 2010

Boris’s 6th: Liverpool cont’d

CONTEXT vs. CHAOS: Weltschmerz-weights Round Two

Context is an oft desired intellectual shelter among art-goers but not necessarily required for the mind’s sure-footing. At the first installment of the Chaosmos in 2006, when artists were pressed hard enough (by the presence of camera or otherwise) about the idea of chaosmos, one reply was “I’m still trying to wrap my mind around it, in a way.” This was not far from the overarching sentiment of the entire group. Truth is, now as it was then, it was not necessary nor at any great deal of service to contextualize here. So why get caught up? In fact, one of the differences this time around, is here we seem to come to an unspoken understanding, and I will give a try at “how” at the later post, that there is no need to ache over extrapolating. It is as simply comprehensible as please excuse the chaos and here is the context for our excuses; chaos-for-the-sake-of-context type of attitude.

So two things. First, I am pleased to announce that the Chaosmos Initiative 20TEN has a new lease on life with dates extended through the second half of the Biennial. What’s more exciting, is that this new installation on the 2nd floor of View Two Gallery has phrased itself, as I don’t think anyone but the happenstance itself could have curated it more aptly, somewhere between the Reactionary (Stuckists) and the Modernist (de Lillo). Cheers to these circumstances, to the gallery staff, to the curator and the 20+ artists and writers for this re-consideration, as most of us may find it more difficult to distil than set-up the exhibition display first-time. Here is a case furthermore where all three shows have much to gain by the presence of the other two. Second, in light of all this, as an involved participant, I sketched out few reflex-notes on the exhibition, as if I had to interiorize this art initiative into a conventional essay, something for which most participating artist would castigate me for attempting. This show is clearly at odds with these confines and better served by scraps of thoughts floating around in blogosphere. Therefore, as hinted earlier, I will post the rest of them in the coming weeks.

Also, I hope everyone has a safe and productive Fall Break--

more on Art In Liverpool link: http://www.artinliverpool.com/index.php/maingalleries/view-two/4029-v2-chaosmos-2010

(dates extended, through Oct. 30th at View Two Gallery, 23 Mathew St. Merseyside)

post revised: 10/12/2010

Friday, September 10, 2010

Boris’s 4th Liverpool Biennial, 2010


Here is the bigger picture of the Biennial. It is the largest and one of the most exciting contemporary visual arts events in UK. Within the time frame of September - November, Liverpool sees hundreds of thousands visitors, and with 960,000 visits last time around in 2008, it makes one of the best-attended art events in the world. Some of the highlights consist of The Internationals, (http://www.biennial.com), The New Contemporaries (http://www.newcontemporaries.org.uk), The John Moores Painting Prize (http://www.liverpoolmuseums.org.uk/walker/johnmoores/jm2010), The Independents (http://www.independentsbiennial.org), amidst many others other fringe events throughout the city. For me, this city is the perfect host for such an event: Mersey River, the coast, the music, the past, but especially the people. Since I flew-in yesterday, everyone at View Two has been wonderful. I can’t thank them enough, from Chris Boyd (his dad in particular) for hard work and treating my work with utmost care to James&co for hospitality, I have thoroughly enjoyed it. Even with fast paced artists’ ins-and-outs at the last night’s VJ performances/screenings (as well as during project’s preparation), I had a chance to spend time and talk to most of the artists involved. And I was also glad to have roved around the Liverpool galleries with Masahiro Tomioka today, as he is off to Japan tomorrow. In fact, most of us will scatter this weekend, so I did manage to record some thoughts for the Culture Pool Artist talks and I will try to make myself available in the future, technology permitting. Somewhere still between jetlag and the newness of it all, I am excited to be part of this gutsy, magnetic as well as fluid group of artists here. Cheers from Liverpool--