"Milly" is a Microlux mini tilt table saw and is 11-1/2 inches x 9-1/2 inches so basically a size of a sheet of notebook paper.
Monday, September 21, 2009
New to Georgetown College
I am happy to introduce Milly to you she is new to Georgetown College but is already excited to be here. She is kinda shy so see Professor Graham for a proper introduction. She looks forward to working with all of us here in the Georgetown College Visual Arts department.

"Milly" is a Microlux mini tilt table saw and is 11-1/2 inches x 9-1/2 inches so basically a size of a sheet of notebook paper.
"Milly" is a Microlux mini tilt table saw and is 11-1/2 inches x 9-1/2 inches so basically a size of a sheet of notebook paper.
Art for Lunch
Wednesday, September 16, 2009
Gallery Hop This Friday in Lexington
For more information, you can visit the LexArts Gallery Hop informational page HERE.
Wednesday, September 9, 2009
Alternative Photo Show in Berea
Wednesday, September 2, 2009
Quack Quack
Just for fun I thought you guys would love to see a student from last semesters 3D Design and Ceramics Class having a little too much fun with her safety equipment. Enjoy.
Monday, August 31, 2009
SteeP: closing reception

Closing Reception for "SteeP"
Prof. J. Daniel Graham & Prof. Darrell Kincer
Tuesday, September 1 from 5-7 PM
Scott Co. Arts Consortium
117 N Water St, Georgetown, KY
"SteeP" is an exhibition featuring the works of Darrell Kincer and J. Daniel Graham. Including photographs, woodcuts, and sculpture, the show is a collection of works dealing with personal reflections. Professor Kincer has four separate bodies of work, each displayed in a different room of the exhibition space. While some photographs focus on a recent trip to Brazil, others document his parents’ home through the surrounding plant life; all in some way are a reflection on the past. Professor Graham's work, while crossing multiple mediums, deal with the elements of storytelling and personal history. A small series of cut paper prints investigate the recent addition of a newborn daughter to his family, reflecting forward on his anticipation and excitement of being a father, while his woodcuts deal with the forced dialog of historical images creating personal narrative.
Monday, August 24, 2009
Art Talk and Reception this Wednesday!
Eden Unknown: a puZZle
How the future is written in the past.
The invention of time
Closing Reception: Wednesday, August 26th from 5-7
Gallery talk 6PM - CEP credit!
How the future is written in the past.
The invention of time
Closing Reception: Wednesday, August 26th from 5-7Gallery talk 6PM - CEP credit!
Kim Chalmers drew inspiration from his love of traditional Japanese gardens in creating his own interpretation of "paradise" in Eden Unknown, an art installation in the Anne Wright Wilson Fine Arts Gallery. The exhibition brings the viewer into a space where they are watched by the Eye of God, drawn towards paradise and the natural world, but confronted by sin and death on all sides. Meant to bring up questions about the major issues of mortality, humanity, and the history of the world, visitors are encouraged to linger in the space.
Visit Kim Chalmers' website HERE
EKU Art + Design Faculty Show
Thursday, August 6, 2009
Melissa Forman


Here is a bit about Melissa Forman, a painter from Cleveland OH
Melissa Forman spends her days working as a commercial artist and her nights creating a richly visual world filled with characters created from an opulent, mysterious, and often eerie imagination. Her lovely, idealized figures seem lost in their own worlds, drifting between the 19th and 21st centuries. Created from a mix of appropriated imagery from the late Victorian era and modern photographs from her personal collection, her portraits draw from obvious traditions in the genre but take on a life of their own. Her figures are strangely perfect and almost frozen in their expressions and poses. They evoke a Victorian sense of etiquette and grace while reaching outside of their image to provide a window into something deeper and far more human. While these mysterious, and sometimes withdrawn, figures were created from photos of friends and family of the artist, they are not meant to represent themselves, rather, they portray emotional states and aspects of the human psyche. Melissa has carefully calculated each one by changing colors and manipulating features to evoke a mysterious and sentimental mood. Alienated from their real world and time, these images become metaphors for emotional and psychological states. They exist as a product of Melissa’s pursuit to create beauty and recognize the elegance and sincerity of genuine human emotion.
Check out her website HERE
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